[telecom] PBS Takes On the Premium Channels

PBS Takes On the Premium Channels

By AMY CHOZICK January 1, 2012

In an effort to freshen its image and lift revenue, the Public Broadcasting Service is trying to be more like HBO - without the monthly cable bill.

Emboldened by the success of the British period drama "Downton Abbey," one of the most critically acclaimed shows on television, PBS now faces the challenge of translating the buzz and enthusiasm for the show into donations to local stations and public financing. A stodgy pledge drive or traditional pleas for contributions would probably fall flat with viewers. So, PBS decided to fit "Downton Abbey," which begins its second season on Sunday, into a broader effort to spruce up its prime-time lineup.

The goal is to attract new viewers to PBS and make audiences think of public television more like the top-tier programming of HBO, Showtime and other channels they are willing to pay for. "Think of PBS and the local stations as premium television on the honors system," said John Wilson, senior vice president and chief television programming executive at PBS.

Around the time the first season of "Downton Abbey" had its premiere on the "Masterpiece" anthology series last January, PBS began taking a more strategic approach to programming. It has branded nights with clusters of shows about one subject - for example, the arts, science or the literary imports from "Masterpiece." The anthology introduced younger and more male-skewing shows like "Sherlock," a mystery series set in modern-day London that had its premiere in 2010, and a continuation of the popular British series "Upstairs, Downstairs."

This fall, PBS embarked on a marketing blitz to promote Ken Burns's "Prohibition" documentary miniseries, including a joint round-table discussion with Mr. Burns and the creators of HBO's drama "Boardwalk Empire," which takes place during the Prohibition era.

An aggressive promotional campaign helped "Downton Abbey" win six Emmy Awards, including best mini-series or movie, away from competitors on HBO and Starz.


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Reply to
Monty Solomon
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PBS has become a sorry excuse for the network it once was, and a harbinger of the media world to come, and this is just the official notice of the terminal illness that has rotted away any chance of having a public broadcasting network in the United States.

Commerical television corrupts everything it touches, and PBS has been taken over by commercial interests that have turned it into a continuous replay of "The Truman Show", where everything is paid for with product placement advertising.

Don't get me wrong: I'm no purist. I never minded that The French Chef sold cookbooks, since nobody was forced to buy them, after all. I never thought the less of other PBS regulars selling books: Norm Abrams' "Measure Twice, Cut Once" has a place on my bookshelf next to the book that Ken Burns sold during the Civil War series.

However, over the past generation of PBS viewers, the fundamental paradigm of the network has changed. "The Muppets" appeared on toy store shelves as soon as the program became popular, and it wasn't until years later that I found out that PBS was sharing in the sales revenue. "This Old House" was, AFAIK, the first professionally-produced PBS program designed to sell products to adults, with every episode now featuring a GMC truck grill bellying up to the camera, Porter-Cable and DeWalt tools in constant use, with the corporate logos /always/ turned toward the camera, and assorted gadgets promoted as "mystery guests" on a "What is it" segment of the follow-on program "Ask this old house".

It's wrong, and hypocritical. If the US Congress doesn't choose to fund a public broadcasting service, then PBS should be shut down.


Reply to
Bill Horne

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